Flight (Bells of Freedom) |
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1 | I ride my way down east | |
2 | Wind beneath my feet | |
3 | And throttle open | |
4 | Hellfire to feed the beast | |
5 | Circles in the heat | |
6 | Compel this motion | |
7 | There can never be enough | |
8 | Can there ever be too much | |
9 | Past life in the dust | |
10 | No Promise broken | |
11 | In the night | |
12 | Nothin' can touch | |
13 | This glorious | |
14 |
Flight |
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15 | And in my head | |
16 | Echoes of the dead | |
17 | Poets’ concoction | |
18 | Lines and rhymes the words they’ve said | |
19 | Less-traveled roads that led | |
20 | To where I’ve gotten | |
21 | There can never be enough | |
22 | Can there ever be too much | |
23 | Diamonds in the rust | |
24 | Never forgotten | |
25 | In the night | |
26 | Nothin' can touch | |
27 | This beautiful | |
28 |
Flight |
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29 | When the moonlight comes | |
30 | Down through the valley | |
31 | Where the river runs | |
31 | By sleeping fields | |
31 | Whispering breeze | |
31 | Sky through the treetops | |
31 | Wolfpack passes | |
32 |
On shadow wheels |
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33 | Let us remember | |
34 | Sure the road begets the highline | |
35 | The river still along | |
36 | Where the stars refuse to shine | |
37 | And the towers spire | |
38 | Dark above her aching torrent | |
39 | And from her maw | |
40 |
History repeats in time |
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41 | Time time time | |
42 | Where the Golden Girls came singin' | |
43 | Time time time | |
44 | Sold for gold - hear her knell a-ringin' | |
45 | And lo! The bells the bells | |
46 | Silver, golden, brazen, iron | |
47 | Broken chains, yawning gateway | |
48 |
Ride this moonlight ribbon |
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49 | And as for me – for me | |
50 | Still hold something to believe in: | |
51 | We can still ride free | |
52 | Give us more: the bells of freedom | |
53 | Can never be enough | |
54 | Can there ever be too much | |
55 | Redemption, faith, and trust | |
56 | Midnight’s paean | |
57 | In the night | |
58 | Nothin' can touch | |
59 | This glorious | |
60 | Flight | |
61 | Nothin' can touch | |
62 | This | |
63 |
Flight |
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© William J. Hall 2022 all rights reserved ASCAP |